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Guest: Matthieu Ronsse

28.04’25
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Matthieu Ronsse, Poesthem 5, Etikhove © Dany Deprez

After its premiere at the Roger Raveel Museum, Matthieu Ronsse, Poesthem 5, Etikhove (2024) is now screening in Ghent. The new film by Dany Deprez is an offbeat portrait of the artist Matthieu Ronsse. 

We compiled an experimental film program around some of the motives of the Old Masters that Ronsse likes to riff on and rework.

→ In the presence of Matthieu Ronsse and Dany Deprez

→ With an introduction by Isolde Vanhee

→ In collaboration with LUCA School of Arts Gent — Painting

TRAILER


Dany Deprez

Matthieu Ronsse, Poesthem 5, Etikhove

BE • 2024 • 20' • colour • digital

Matthieu Ronsse had his studio and residence in Poesthem, Etikhove, for several years. The spirit of the place reflected that of the artist. Poesthem is situated along the route of the Tour of Flanders. On the day of the race, Ronsse organized exhibitions there with fellow artists and opened his door to whoever wanted to see.”

With the support of LUCA.breakout

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Matthieu Ronsse, Poestem 5, Etikhove © Dany Deprez

Raúl Ruiz

Wind Water (Feng Shui)

GB • 1995 • 4' • colour • digital

A Chinese painter falls asleep watching the clouds, dreaming of Las Meninas by Diego Velázquez.

The figures in one of the flagships of Western art, Velázquez’s Las Meninas, fly out of the frame, fragmenting any attempt to create the perfect harmony sought by other aesthetic approaches. (Fergus Daly)

Wind Water is part of Picture House’, a series of short films for BBC in which filmmakers like Paul Schrader and Claire Denis presented a painting in four minutes. I chose Velázquez’s Las Meninas. It’s a sort of primitive animation narrated in French with voice overs in Old Arabic, Spanish for the dog in the painting, and Mandarin for the 18th century Chinese painter Shih‑T’ao, who explains the painting and who wrote a treatise that I use constantly, Reflections on Painting by the Monk Bitter Pumpkin’.” (Raúl Ruiz)

Site 2 Wind water

Wind Water © BBC

Robert Beavers

The Painting

CH/US • 1972 • 13' • colour • 35mm • 1972/1999

The Painting intercuts shots of traffic navigating the old-world remnants of downtown Bern, Switzerland, with details from a Flemish, 15th-century altarpiece, The Martyrdom of St. Hippolytus”. The painting shows the calm, near-naked saint in a peaceful landscape, a frozen moment before four horses tear his body to pieces while an audience of soigné nobles look on. In the movie’s revised version, Beavers gives it a comparably rarefied psychodramatic jolt, juxtaposing shots of Gregory Markopoulos, bisected by shafts of light, with a torn photo of himself and the recurring image of a shattered windowpane. (J. Hoberman)

I re-edited The Painting and added to it an interior scene between Gregory and myself, which is juxtaposed to the figures in the painting. It introduces the theme of tearing as an emblem of intense emotion – the unity of destruction and unity.” (Robert Beavers)

The painting 6

The Painting © Robert Beavers

9198 kopie

Exp. to the Monsanto (flat), Matthieu Ronsse, 2018, Museum van Elsene

66 1

Untitled (Enfantin), Matthieu Ronsse, 2007, courtesy Gallery Luis Campaña, Cologne

30 1

Baby/Sid and meninas on canvas (series blended picture), Matthieu Ronsse, 2005-2006, courtesy Hoet Bekaert Gallery Gent

23 1

Horse thereunder is heavely burning on cafeine, Matthieu Ronsse, 2005, courtesy Hoet Bekaert Gallery Gent

Dany Deprez

Matthieu Ronsse, Poesthem 5, Etikhove

BE • 2024 • 20' • colour • digital

Raúl Ruiz

Wind Water (Feng Shui)

GB • 1995 • 4' • colour • digital

Robert Beavers

The Painting

CH/US • 1972 • 13' • colour • 35mm • 1972/1999